Streaming holds its ground as the most popular way audiences are choosing to access their illegal content. Audiences are choosing less and less to torrent, with it witnessing the sharpest drop in usage across all piracy delivery methods. From January 2016 to December 2016,
52% of all visitsto music piracy sites in 2016 were through mobile devices From January 2016 to December 2016,13.8bn visitsto websites were to stream pirated content, 59% of this piracy activity was via mobile devices. Stream rippersites have surpassed downloadingto...
MUSO, the leading content protection, data-analytics and piracy audience reconnection solutions provider reveals that in 2015 there were 2.19bn visits to illegal book sites. The company’s Market Insights Reports platform highlights the sheer volume of infringements...
Don’t be fooled by her young age –Tamsyn Bester, at 25, is a powerhouse of self-publishing. Having self-published nearly a dozen books, Tamsyn knows her way around the often quagmire of self-publishing. Knowing that in such a competitive industry it takes hard work and a...
This survey from MUSO reveals how and why Sweden is a television and film piracy hotspot relative to its Nordic neighbours – Denmark, Norway and Finland. With the highest levels of piracy across all types (torrents, streaming, download, private trackers and YouTube...
As part of the Opinion Features for C21, Christopher Elkins, MUSO's Chief Commercial Officer, sat down with C21 on the eve of the launch of the Global Piracy Film and TV Insights Report, to talk about the new piracy audience of 2016 alongside the future of the film and TV...
